Milwaukee is a city that is chiefly known for two things:
beer and “hogs”.
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Milwaukee is the birthplace of Harley-Davidson, and this
year, the company is marking its 110th anniversary. Celebrations are
going to culminate this Labour Day Weekend with a three-day blowout that will
attract over 100,000 H-D riders and enthusiasts to Milwaukee. Activities
include a custom bike show, the 110th MDA Parade of Heroes which will
showcase H-D riders from around the world, street parties, a “Harley-Davidson
Hometown Throwdown” edition of UFC 164, and a three-day concert at the
Summerfest grounds (Milwaukee’s answer to Parc Jean-Drapeau), with such
headline acts as Aerosmith, Kid Rock, ZZ Top, Joan Jett and the Blackhearts,
Blue Oyster Cult, Toby Keith and the Doobie Brothers.
Perhaps the nucleus of the Harley-Davidson universe in
Milwaukee is its 20-acre museum, which is located on West Canal Street in the
downtown area. It’s a fascinating, interactive celebration of Harley-Davidson
motorcycles and how they defined a part of American history and culture, and
how it forever changed transportation into an art and a way of life.
Last month, while staffing the B’nai Brith Youth Organization’s
(BBYO) Chapter Leadership Training Conference in nearby Mukwonago, me and two
fellow BBYO staffers – Todd Kay from Cleveland and Marty Paz from Las Vegas –
decided on our day off to check out this virtual “hog heaven” (we're pictured above, atop a Harley-Davidson hog built for three).
From the moment you set foot onto the museum grounds, you
are immediately immersed into the Harley-Davidson culture, which is quite
evident with the manufacturing plant-style of the museum’s exterior (with the
H-D logo proudly emblazoned above the entrance), to the long lines of
motorcycles that are diagonally placed in its parking lot.
As soon as we entered the museum (the permanent exhibition
begins on the second floor), you are immediately given an up close history
lesson on the evolution of the Harley-Davidson motorcycle, as a chronological
procession of actual bikes are on permanent display from 1903 until the
present. The museum also includes the oldest Harley-Davidson motorcycle in
existence (called “Serial Number One”, pictured below), which is displayed in a special glass
encasing, and is surrounded by the actual dimensions of the original shed where
it was built 110 years ago (and believe me, that shed did not allow the
designers, builders and mechanics a great deal of elbow room to create this
piece of transportation history).
The motorcycles that are on display (as well as the
countless pieces of memorabilia and artifacts) also tell the story of
Harley-Davidson’s contribution to the development of the motorcycle as a vital
means of leisure, commercial and military transportation, including the armed
forces during both World Wars, the post office, courier companies, and of
course law enforcement (police departments began using Harley-Davidson
motorcycles as early as the 1920s).
As well, there are interactive exhibits, where for example
you can see and demonstrate how a typical Harley-Davidson internal combustion
engine works. One of my favorite parts of the museum was its salute to how
Harley-Davidson and its bikes played a role in making its company more visible
to the general public through pop culture (i.e., TV shows, movies such as “The
Wild One” and daredevil Evel Knievel); there is even on display the two
choppers that were driven by Peter Fonda and Dennis Hopper in the 1969 cult
classic film “Easy Rider” (which are pictured above).
So whether you have a passing interest or a passion for
motorcycles, or whether you are born to be wild or mild (I fall into the latter
category, just take a look at me atop this vintage late 1920s/early 1930s H-D motorcycle), the Harley-Davidson Museum is the ideal place to discover America,
and the world’s, two-wheeled love affair with the motorcycle.
For more information about the museum, as well as the
Harley-Davidson 110th anniversary celebrations, check out their
website at www.h-dmuseum.com.
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This blog post originally appeared in my Grapevine column in the August 10, 2013 edition of the West End Times.
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